Ursula and Companions

The Legend of St Ursula

The historical evidence of Ursula’s life has been lost in the mist of time. However, the relationship between Angela and Ursula is strong, and led to Angela placing her Company under the patronage of St Ursula. She wanted her companions to be imbued with the Spirit of Ursula.

As legend tells us Ursula, was the daughter of a Christian king living in Britain in the 4th Century. She grew into a young woman of deep faith.

The king of a larger more powerful kingdom asked for her hand in marriage for his son. Fearful of the superior strength of the other king’s army she agreed, however, she asked for some time before the marriage took place.  With great confidence she requested that the marriage would not take place until “her husband to be” converted to Christianity and that they undertake a pilgrimage to the Holy Land and Rome. Then on their return they would marry. Eager to have her as his bride the prince agreed to her requests.

Ursula together with her entourage of maidens, companions and "her husband to be" began their pilgrimage to the Holy Land. Strong winds blew them off course and they eventually arrived in Cologne. While Ursula and her companions were in Cologne she had a dream that they would be martyred on their return. Undaunted by this dream she prepared her companions and together they faced their death with great courage, conviction and faith.

A basilica was built in Cologne dedicated to virgin martyrs as far back as the 3rd century. It was rebuilt in the middle ages by Clematius. This is fact. Many and varied legends of Ursula exist, and much of this information is conjectural. "What is fact is that in the far off past, in a known place, virgins chose to suffer death rather than be false to their love of Christ." (Teresa Ledochowska, osu Angela Merici and the Company of St Ursula

The Spirit of Ursula

  • A woman of deep courage
  • A risk taker
  • A woman of dedication and fidelity to Jesus Christ
  • A leader of young women
  • A woman of dignity 
  • An independent woman of her time.

These characteristics resonated with the qualities that Angela would want for her women in the company. Therefore she placed her company under the patronage of St Ursula virgin and martyr.


The Relationship Between Angela and Ursula

At the time in which Angela lived, (1475-1540) the legend of Ursula and the Virgins of Cologne was wide spread and popular.

As a young child Angela and her siblings would have heard the stories from the "Golden Legend" of Jaques de Voragines published in 1475. Fordham University History Sourcebook - Golden Legend Volume 6  (Volume 6 'The Passion of Eleven Thousand'). The Spirit of St Ursula would have captured the imagination of Angela, a young woman of deep faith.

  • Angela had great devotion to women martyrs
  • Angela saw Ursula and her companions as a model of commitment to Christ. She believed their example of courage and faith would inspire the members of the Company she established.
  • Angela had no desire to name the Company after herself. Her focus was to support women in their faith and commitment to Christ. She chose Ursula as patron of the Company.


Ursula in Art

We know much of the legend of St Ursula and her Companions through artistic portrayals from early centuries to the present.
One of the most well-known visual representations is "The Life-Cycle of St Ursula" by Carpaccio, painted in the 15th century. This series of paintings is found in the Galleries dell'Academia in Venice. Moretto, a citizen of Brescia and known to Angela, painted St Ursula and her Companions in 1530. It is housed in the Church of San Clemente in Brescia.
The consistent themes in visual representations of St Ursula often are:

  • as a young woman
  • as a leader
  • holding the flag of martyrdom
  • repeatedly with an arrow symbolising the manner of her death
  • with women companions
  • frequently holding a protective cloak around her companions
  • often in a boat

  Ursula in Art

Moretto St Ursula and her Companions 1530

St Ursula and Companions, Moretto, 1530, Church of St. Clement, Brescia